The Apogee GiO is the complete guitar interface for Apple's Logic Studio 9, MainStage 2 and GarageBand '09. Combining effects control, recording functions and amazing sound quality, the GiO delivers total access to incredible sounding guitar amps and effects in a single foot controller and audio interface. Designed to work with the Apple Logic Studio 9 and MainStage 2, GiO allows guitar players to control recording functions, preset changes and plug-ins like Amp Designer and Pedalboard, along with Playback and Loopback features in MainStage. With GarageBand '09, Apogee GiO is truly plug-and-play pedal and lets users quickly connect their guitar, select and control built-in amps and stompboxes, and record. Stomp on it. Effects control without the mouse. Find your sound without going back and forth from your guitar to your Mac. With GiO, you can audition effects presets in GarageBand, Logic, and MainStage, and turn effects on and off while playing or recording, all without touching your keyboard. Apogee GiO frees you from key-command recording allowing you to concentrate on your performance and not the space bar. The five transport buttons on GiO let you record, play, stop and quickly navigate through your track without taking your hands off the neck of your guitar. "Next" preset please. Previous and Next preset select buttons let you quickly audition and toggle between guitar amps and effects presets in Logic and GarageBand and the patch lists in MainStage. Instrument input GiO's 1/4" instrument input features Apogee's world-class instrument preamp and converters. Hear and record your guitar's true tone straight into Apple's GarageBand, Logic and MainStage without compromise. The Apogee GiO is optimized for all pickup configurations from the most basic single coil to sophisticated active electronics setups. MIDI Expression pedal input GiO's Expression control pedal input allows access to traditional effects like wah-wah, and volume.
Cymatic Audio is an exciting new brand offering stand alone Direct to USB recording to Thumb and Hard drives. 16 Insert-style TRS connections are hard wired, which means there is never the need to arm tracks or assign any channels. The unit is always recording 16 discrete wave files at 16/24 bit/44.1-48kHz and elegantly auto names the tracks and take folders. You simply connect, hit record and you are done Perfect for recording any live performance or rehearsal...just tap into your FOH Inserts with a TRS Snake and your are ready to go. No more mic splitters, ground loops, computers, crashes and all the expense and hassle that goes along with all of that. The LR-16 is the cost effective and easy live recording solution you have been waiting for. Great for beginner recordists who don t want to deal with difficult and time consuming learning curves, as well as the most seasoned professionals who don t want to be bothered with messy setups. But wait...There's MORE... The LR-16 also doubles as a 16 x 2, 24 bit/96kHz USB Class Compliant audio interface for your iPad, Mac and PC!When you ve finished your live recording in the field, simply connect the LR-16 into your computer or tablet and you have a high quality USB interface. Plug your USB drive and drag and drop your files into your favorite DAW to edit your audio or do additional overdubs. Convenient features such as native Mac and iPad driver support make installation a breeze. Zero latency hardware monitoring and a built in mixer allow for error free recording, flexibility and hassle free setup. Free your mind...and make more music.Features: Records directly to USB 2.0 compatible thumb drives or hard disks (16/24-bit 44.1 - 48 kHz) 24 bit/44.1 - 96 kHz USB Class Compliant Audio Interface Mac OS-X compatible - Core Audio plug and play drivers iPad compatible - plug and play (USB adapter required eg. Apple Camera Kit) No powered USB hub required for iPad connectivity Windows PC compatible (Win XP
Allen Heath ICE-16 16 Channel Multitrack Recorder with USB/FireWire Interface
Manufacturer: Allen & Heath
Brand: Allen & Heath
The ICE-16 16 Channel Multitrack Recorder by Allen & Heath records 16 tracks of audio directly to a USB key or hard drive. Just connect the 16 analog inputs to any line level source (your mixer's direct outs are ideal), plug in your memory and press record to capture live shows, band rehearsals, conferences or services for mixing or playback afterwards. ICE-16 also functions as a 16 x 16 channel interface to your computer in the studio, streaming high quality digital audio at 24bit, up to 96kHz sample rate over FireWire or high speed USB 2.0. Units can be linked when streaming over FireWire to expand the channel count even further. Live or in the studio, ICE-16 makes multitrack recording easy. Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making ICE-16 the perfect companion for both small and large analog consoles such as Allen & Heath's acclaimed ZED, Mix Wizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels. The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW. Removing the USB stick or powering up the unit without one enables the USB/FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools. Whether you want to do a "virtual sound check" or just need to play cues during a live gig, tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analog Outputs. Allen & Heath is dedicated to designing world-class audio mixing products using cutting-edge technology, advanced techniques and highest quality components.
With its 10 advanced lighting presets, the Q4n captures our highest-quality video ever - from bright daylight to a low-lit club to striking sunset. And with Zoom's superb audio quality, the Q4n provides a combination no other camera can match. 10 “Scene” presets ensure great results in various environments-even low-light venues like nightclubs. These include “Concert Lighting” (where adjustments are made for lighting conditions that can drastically change) and “Concert-Low Light”, both designed for dimly lit locations. There are also specific Scene settings tailored for shooting at jazz clubs and rehearsal studios, as well as outdoors-even at sunset and at night. The Q4n shoots in a variety of HD and WVGA formats, from high-resolution 2.3k video (2304 x 1296 pixel/30fps/24Mbps 3M HD) down to compact 30fps/5Mbps WVGA files. It has a greatly improved aperture (F2.0 to be exact) for bright, brilliant video, as well as a 160˚ wide-angle lens, and five steps of digital zoom.
(1) New SR-Audio 2 oz. PRC-2 Studio Grade Audio Tape Deck/Video/Turntable Idler Pinch Roller Cleaner Conditioner Rejuvenator Fluid
Manufacturer: Audio 456
Brand: SR Audio
The Worlds Best Pinch Roller Cleaner that contains nothing that can damage the rubber and gently cleans and conditions the rubber.. You'll receive (1) 2 oz bottle SR-Audio pinch roller cleaner that many say this stuff is Magic. The SR-Audio PRC is from a very famous Grammy winning Music Producer/Recording Engineer that over the years developed his own mix of ingredients to keep his reel to reel and cassette decks operating smoothly with less pre-mature wear to the tape and heads. Now available to everyone. The SR-Audio Pinch Roller Cleaners Do not contain water just cleaning and conditioning agents to leave your pinch rollers with a nice smooth satiny like feel at touch which is best for smooth tape operation and stops pre-mature tape and head wear. Formulated for safe use with all brand and model Reel to Reel,Cassette Deck,Projectors,printers of any brand or model. SR-Audio never makes up more than a months worth of cleaners so you receive your order from a just mixed new batch. Even though it stays fresh for many months if not years.
TASCAM’s Calsonic US-20x20 packs 20 channels of analog and digital I/O into a single Rackspace with great sounding preamps and USB 3.0/2.0 connectivity. Eight Ultra-HDDA microphone preamps provide 56dB of gain and high headroom to make microphones sound their best. Up to ten channels of digital I/O are included on ADAT and S/PDIF connectors, with word clock also provided for use with external clocks like TASCAM’s CG-1000. MIDI I/O allows use with controllers and synthesizers, and sample rates up to 192kHz/24-bit are supported. The TASCAM Calsonic US-20x20 is the first USB 3.0 interface to use class-compliant drivers for future-proof use with computers and tablets. A built-in DSP mixer includes parametric EQ and compression on every channel and a stereo reverb send for great-sounding monitor mixes. The DSP mixer can also be used as a live mixer or sub mixer with computer control. The US-20x20 has three operation modes - audio interface, digital mixer, and 8-channel digital mic preamp -for maximum flexibility.